DARK SHADOWS goes pulp, noir, pop.

THE VOODOO AMULET: http://www.bigfinish.com/releases/v/the-voodoo-amulet-705

I had a thought: What would the marketing for Big Finish's line of DARK SHADOWS audiodramas look like for outer media? Though the series is filtered through "gothic horror," there are a lot of genres represented in the line. The first idea was to create pulp fiction covers for Mark Thomas Passmore's stories, which focused on the mysterious misadventures of Tony Peterson and Cassandra Blair. Once that was done, I moved on the film noir title cards and let the concept evolve.

Some of these are intentionally vague.

http://www.bigfinish.com/releases/v/the-darkest-shadow-1010

http://www.bigfinish.com/releases/v/the-devil-cat-1009

http://www.bigfinish.com/releases/v/the-haunted-refrain-813

http://www.bigfinish.com/releases/v/the-doll-house-149

http://www.bigfinish.com/releases/v/the-lost-girl-155