Builder Creates Haunted House
Dec. 18, 1966
Sy Tomashoff's house is dark and brooding. Pale light filters through the stained glass windows, casting eerie shadows on the foyer balcony. At the foot of the stairs, a baroque grandfather's clock guards the entrance to the drawing room, where ranged family portraits are fitfully lit by flames from the massive fireplace. Somber velvet flutter funerally, moved by sudden gusts from the latticed windows.
This is a house filled with srxx»ks ami mystery, and Sy Tomashoff has designed it exclusively for TV's "Dark Shadows," the daytime suspense drama that is seen weekdays (4-4:30 p.m.)
Tomashoff's interior sets for Collinwood, the huge stone mansion where ghosts walk and evil lurks behind the balustrades, are probably the most detailed scemc works in daytime television. Months before the show went on the air, be was exploring antique shops, art galleries and even junk yards to create his 19th century manse.
"The prototype for Collinwood is a great, Gothic-styled estate in Newport, R.I.," said Tomashoff. "The object was to carry over that kind of mood and architecture in our studio sets. especially in the permanent ones of the foyer and drawing room."
'LOOK' CREATED
Each of these two rooms are 18 feet high, and because they are built three-dimensionally, they create a massive look in a very limited space. Light and shadow play on the mantlepiece, the candelabra and the face of Joan Bennett, who stars as the mistress of this macabre house, set in a tiny fishing village in Maine.
"According to the story line, the house was built in the 19th century, so we had to find and create material typical of the era," explained Tomashoff. "In addition to the paintings, which are authentically of the period, we made stained glass windows by painting transparent color on plastic. Balustardes and newel posts were built and walls were antiqued and glazed to lend a stony effect. Much of the wallpaper was imported from England."
Sy Tomashoff is a small, jovial-looking man who might never be suspected of creating a set in which a ghost of a drowned man appears draped in seaweed. Nor would one expect to find him rummaging through a junkyard, rounding up eight identical sets of door knobs.
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